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THREE MAJOR GOALS FOR 2024

DOCUMENTING THE LIFE AND WORK OF LEO MARCHUTZ

Our work on the Marchutz Catalogue Raisonné comes in many forms. It has but one objective: to preserve the artwork of Leo Marchutz for generations to come. We invite you to support our three major goals for 2024.

DIGITIZE THE DRAWINGS – 
With the help of Ayse Ersoy and Christina Li, our two summer interns from Princeton University, we began organizing, identifying and scanning the vast corpus of drawings created by Leo Marchutz during World War II. This long and meticulous process will continue to be the focus of our conservation efforts for the year to come.

Leo Marchutz, Angel and the Blind Man, c. 1940-45. Pencil on paper. (Left)
Leo Marchutz, Mary Magdalene and Angel, c. 1940-45. Pencil on paper. (Right)

DOCUMENTARY FILM PART II –
The documentary film, Leo Marchutz & Lithography, directed by James Ruffato and produced by the catalogue raisonné project, was the first of a planned set of three related documentaries on Leo and his work. In 2024 we hope to complete part two of the documentary, which will focus on the subject of Marchutz and Cezanne.

Leo Marchutz (fourth from the left) is seen here in 1961, supervising the unpacking of the painting Portrait de Marie Cezanne, soeur de l’artiste. Appointed by the city, Marchutz curated two major Cézanne exhibits in Aix at the Pavillon de Vendôme (in 1956 and 1961).

MULTIMEDIA CONSOLE –
Building on our relationship with the museum at the Camp des Milles (the largest internment and deportation camp in the south of France) where Marchutz was interned at the onset of WWII, we aim to develop a multimedia console dedicated to Léo, his story and his artwork. Our intention is to pair the implementation of the console with an exhibit, an accompanying catalog, and conference.

In early September 1939, Leo Marchutz was interned at the Camp des Milles. Considered an “enemy of the French nation” he was detained, along with roughly 3,000 other German and Austrian artists and intellectuals. The Camp would later be used as a transit center from which over 2,000 Jews would eventually be deported to Auschwitz.

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Our Mission

THE LEO MARCHUTZ CATALOGUE RAISONNÉ IS THE FIRST COORDINATED INITIATIVE TO RESEARCH,  locate, and digitally record information on the artwork of Leo Marchutz. Our goal is to preserve the artistic legacy of Marchutz and bring heightened-awareness to his life and his artwork.

THIS IS A VOLUNTEER PROJECT that relies solely on the involvement and enthusiasm of our supporters. 

WHERE YOUR MONEY GOES

Each year, we single out one or several major projects that will receive the majority of the funds collected. A part of all contributions goes to the organization of professional photo shoots of the artwork and to cover operational costs such as our research platform, website maintenance and printing costs.

EVERY DONATION, NO MATTER HOW MODEST, TAKES US ONE STEP CLOSER to reaching our goal of preserving the artwork of Leo Marchutz for generations to come. We are forever grateful to those of you who have supported us thus far. Please consider making a donation to help us continue to promote and preserve the life’s work of Leo Marchutz. 

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Donations by check

Pay to the order of:
Association Héritage du peintre Léo Marchutz

Mail to:
Association Marchutz
1004, route de St. Maximin
13530 Trets – France

Our Supporters

We would like to sincerely thank the following backers of The Leo Marchutz Catalogue Raisonné Project for their involvement, generosity, and enthusiasm.

Jacques Aberlen
Michel Aberlen
Rodolfo Alvarez
American College of the Mediterranean (ACM)
Clémentine Amiel
Grace Anderson
Raffi Arzoumanian
Elizabeth Becker
Patrick Beeby
Alice Bellony Rewald
Michel Bernascolle
Samuel Bjorklund
Jean-Claude Blanc
Jean-Yves Bosseur
Raphaelle Boutié
Laurence and Philip Breeden
Kathryn Brewer
David Brewster
Porfirio Bueno
Jay Butler
Patricia Campbell
Jacqueline Carcagno Weyman
(in memory of the late William Weyman)
Dominique Chenet
Cole
Christopher Coffey
Idelette Cretegny
Stephanie Curtis & Paul Piro
Pierre Coste
Grace Anne Darden
David Devillard
Valentin Erben
Harry Faddis
Barbara & Jules Farber
Bobbi Fath
Pedro Fernandez
Hannes Fleischmann
Kristina Fleischmann
Henry Fourès
Françoise Gascoin
John and Michèle Gasparach
François Gierl
Holly Greef
Brian Grogan
Rose Guth
Chantal Guyot de Lombardon
Joël Guyot
Ben Haggard
Daryl Haggard
Eric Haggard
Hal Haggard
Gail Haggard
Greg Haggard
Lynette Haggard
Mary Hamilton
Barry Hart
Miriam Hartmann
Sue Hensley
Joyce Hudson
Institute for American Universities (IAU)
Elizabeth Ivers
Nanette Jenkins
Calvin and Christa Jones
Irène and Jérôme Kester
Vassilis Kalokyris
Janice Kay Lee
Irene Kester
Joseph Kramer
Helge and Uwe Krause
Sharron Kron
Denise Lemoine
Lajos Lencsés
Tara Little
Julie Mackoff
Jacques Mandelbrojt
Anna Marschutz
Antony Marschutz
Sandra Marschutz & Olivier Gascoin
Jennifer Marshall
Tom Marshall
Yumna Masarwa
Daene and Carie McKinney
Nicole and Alain Micheau
David Miller
Joseph Miron
Delfin Montañana
Tom Moran
Laura Morris
Jennifer Neel
Marie Newsom
Sean O’Brien
Jill O’Hagan
Robin Oliver
Marie-José Palluat de Besset
Ricardo Péon
James Perry
John Picton Warlow
Sharon E. Rawlins
John Reed
Michel Reinhold
Miriam Rewald-Dacosta
Alan Roberts
Yvon Romero
Patricia Rutledge
Tricia Sadler
Carol Sevin
Marian Shirin
Bruno Soum
Aliandra Starre
Jill Steenhuis
Christian Stemkowski
Catherine Tchedre
The Creative Fund
Jeff Thurlow
Jim Toub
Charley Umbarger
Jolyn Wells-Moran
Benoit Willmann
Harriet Woodman
Joanne Wright
François Zalacain
Marc Zeller-Meier

A very special thanks goes to the Mayor, Municipal Council and the City of St. Marc Jaumegarde.

Our immense gratitude also goes to those backers who prefer to remain anonymous.